I have done another round of simplifications for the design of the ISHIZENO ONE. This time around, I have worked on the knobs, and decided to go for an all-digital solution. My philosophy is that audio signal should be analog, but everything else should be digital, so that it can be recorded and replayed. This includes patching, thanks to our analog crosspoint switches, but it should also include knobs, which should be connected to rotary encoders driving digital potentiometers.
With this new design, 8 physical knobs are logically associated to the 8 polyphonic channels. These knobs use rotary encoders with 24 detents and 24 PPR resolution. They also provide SPST momentary switching and RGB led illumination. Pushing a knob selects the corresponding polyphonic channel, making all 8 physical knobs available as virtual knobs for the channel’s configuration.
Knob settings are passed to a channel through its I²C bus. Settings can be used from a channel’s shield using a digital potentiometer like the AD5254. Alternatively, all 64 virtual knob settings are converted into analog voltage levels through 16 built-in AD5254 quad digital potentiometers (2 per channel). From there, the voltage level of a channel’s virtual knob can be patched to any analog port of the channel, or any of the 16 or 32 analog endpoints available.
Here is what the new faceplate now looks like: